- Home
- Raving Beauties
Hallelujah for 50ft Women Page 3
Hallelujah for 50ft Women Read online
Page 3
his ceaseless weep of blood,
the women cannot enter
if they bleed –
an old law.
As the bridal couple glides
down the aisle,
her white veil twitching,
I feel my pains.
A woman
bleeding in church,
I pray for time,
for slow motion.
Unprotected, I bleed,
I have no bandage,
my ache finds no relief.
My thorns
are high heels
and itchy stockings.
He, the imitator, bleeds on
in numb eternal effigy,
his lugubrious journey of martyrdom
rewarded with worship.
Tonight custom demands more blood:
sheets must be stained
with the crimson flowers
of a bride’s ruptured garden.
Her martyrdom
will be silent knowledge
suffered in solitude.
As we leave the house
of the male bleeder,
I feel myself wet and seeping,
a shameful besmircher of this ceremony
of white linen
and creamy-petalled roses;
yet underneath our skirts
we are all bleeding,
silent and in pain,
we, the original
shedders of ourselves,
leak the guilt of knowledge
of the surfeit
of our embarrassing fertility
and power.
KATIE DONOVAN
Clear Cut
In America, this wilderness
where the axe echoes with a lonely sound
LOUIS SIMPSON
I blame it on our forefathers
who sweated and sawed,
stripped bare the beast until nothing
stood between them
and what they claimed as theirs.
Hills left to scab healed
into cities which raised sons
who satisfied themselves trimming hedges,
pulling weeds, mowing lawns;
sons who found fearsome
the thicket at the slope of our bellies
and decided it was our turn to cut.
KRIS JOHNSON
What Do Women Want?
I want a red dress.
I want it flimsy and cheap,
I want it too tight, I want to wear it
until someone tears it off me.
I want it sleeveless and backless,
this dress, so no one has to guess
what’s underneath. I want to walk down
the street past Thrifty’s and the hardware store
with all those keys glittering in the window,
past Mr and Mrs Wong selling day-old
donuts in their café, past the Guerra brothers
slinging pigs from the truck and onto the dolly,
hoisting the slick snouts over their shoulders.
I want to walk like I’m the only
woman on earth and I can have my pick.
I want that red dress bad.
I want it to confirm
your worst fears about me,
to show you how little I care about you
or anything except what
I want. When I find it, I’ll pull that garment
from its hanger like I’m choosing a body
to carry me into this world, through
the birth-cries and love-cries too,
and I’ll wear it like bones, like skin,
it’ll be the goddamned
dress they bury me in.
KIM ADDONIZIO
The Ugly Daughter
knows loss intimately,
carries whole cities in her belly.
As a child, relatives wouldn’t hold her.
She was splintered wood and seawater.
They said she reminded them of the war.
On her fifteenth birthday you taught her
how to tie her hair like rope
and smoke it over burning frankincense.
You made her gargle rosewater
and while she coughed, said
Macaanto girls shouldn’t smell
of lonely or empty.
You’re her mother.
Why did you not warn her?
Hold her, tell her that men will not love her
if she is covered in continents,
if her teeth are small colonies,
if her stomach is an island,
if her thighs are borders?
What man wants to lie down
and watch the world burn
in his bedroom?
Your daughter’s face is a small riot,
her hands are a civil war,
a refugee camp behind each ear,
a body littered with ugly things
but God,
doesn’t she wear
the world well.
WARSAN SHIRE
Biosphere
You’ll leave the crowded carriage on the train
sucking in all the humanness in your belly
until the dress falls straight down across
your waist, untouched by imperfections.
Your calves built to outrun the unsightly
reflections in shop windows, hair tousled,
catching its breath on your shoulders
because your look has long been
‘trying too hard to look like you
haven’t tried very hard’.
You are perfumed with
dry, anxious breaths that keep
you only one gasp away breathing in
so much you disappear.
But I wish you would wear yourself like a rainforest.
I want the stubbly bark textures on your legs,
standing end to end,
sweet like cinnamon woodwork.
Your breath humid with songs
you left in your gut because breathing
wasn’t fashionable.
The leaves caught in your teeth
like sunlight streaming in.
I’m sure when rainforests breathe,
everything else moves so they can be still.
I want to unravel the guilt pressing your
legs together until you take up the empty spaces
you are too scared to interrupt.
Do not touch your body with bad intentions.
Do not pinch the parts spilling out of
your shirt, or knead the skin
like dough between fingers until it grows
red from rejection. Do not cook it under
the sun because skin was designed to
be loved by warm hands, and not fire.
The hills, road markings, earth and spice
trails on your thriving ecosystem are
sitting under your nailbeds.
They will remind you that
nature has wanted soft mud for your growth,
not steel clippers peeling you back to the root.
Rub your full stomach because you don’t have a beard
to twiddle between your fingers.
It is filled with wisdom.
SUNAYANA BHARGAVA
A Clearing
When my eldest son died last week
I ate –
started picking pieces of plasterboard
drilled my tongue into the cavity
wound fibreglass floss round and round.
I ground up breezeblock and brick –
licked every crumb –
chewed tables and chairs,
spat splinters.
In a cascade of foam,
I devoured the sofa –
all its flabby trampolinings,
sick bouts and Sunday snoozes.
I bit the taps off radiators,
gargled at their fountains.
Still thirsty,
> I drained and buckled the tank.
Chipping the enamel off the bath gave me a jolt,
Taste of iron returning to my blood,
prickled attraction and repulsion of mild steel
with the pins and plates bracing me, patching me
from times I was knocked down and smashed.
At 5.30, I quaffed the pilot light like a happy hour cocktail,
knew I must go deeper.
On my hands and knees I scratched aside tiles, slabs,
tasted oxides, alloys, amalgams –
I must excavate the gas main,
unleash the blue-hungry flames that snarl from the oven mouth.
CHRIS KINSEY
Pomegranates
(for Lady Macbeth)
I wish that children came
easy as a lie.
That blood came, dropped like
so many seeds –
thoughtlessly. It’s as if
someone has sewn me up.
So I took the handle of a knife
and split a slit.
Finally blood, for all the
months I missed.
Imagined: a pomegranate
spilling red-bruised-black
imagined a girl her flesh
was blue and sad
imagined a boy his hair
was black like mine
imagined myself stretched
scream-open and alive.
It took five hours to
stitch me up.
They left my hands red,
so as not to forget.
KIRAN MILLWOOD HARGRAVE
Miscarriage, Midwinter
For weeks we’ve been promising
snow. You have in mind
thick flakes and a thick white sky;
you are longing to roll up
a snowman, to give him a hat
and a pebbly smile. We have ice
and I’ve shown you, under
the lid of the rainwater barrel, a single
spine forming, crystals pricked
to the delicate shape of a fir, but
what can I say to these hard
desolate flakes, dusting our path
like an industrial disaster?
It’s dark, but I’m trying to scrape
some together, to mould just
the head of the world’s smallest
snowman, but it’s too cold and
it powders like ash in my hand.
KATE CLANCHY
Churched
My aunties were churched.
Gravelly-voiced women
with low-cut necks
and wide-brimmed hats
and hands that kneaded dough
and slapped it in its place.
‘I’ll not be churched again,’ she said,
me aunty Nora,
sitting there in her frock
of brazen red.
Six children did she bear –
‘Sure what’s a little wear and tear
for a woman like yourself.’
Two others did she lose,
one was handicapped.
Still is.
‘Wombs and breasts and leaking milk, quick
pass us the surplice made of silk’ –
That’s what she swore
she heard them say,
the clerics
when they began to pray.
‘I’ll not be churched again,’ she said,
‘and bow and scrape
and bend my head.’
‘Sure what in heaven’s name
would they know
of mornings retching o’er the sink,
of the giving up of the booze,
the fags, the drink.
Of the giving up and the giving
In and the hormones
raging through me
like an ocean
full of sin.’
‘I’ll not be churched again,’ she said,
‘and bow and scrape
and bend my head.’
‘Sure what in heaven’s name
could they know
of the life growing
in my womb,
how it moves
and turns, swimming,
in a dark galaxy
of its own,
and how I nightly roam
the barren landscape
of the moon,
then I’m throwing up again
at noon.’
‘I’ll not be churched again,’ she said,
‘and bow and scrape
and bend my head.’
‘Sure what on earth
could they know
of bringing forth
a child; of the moaning
swelling, growing wild,
of the burning opening
wide and free
and my waters breaking
like the sea.’
‘I’ll not be churched again,’ she said,
me aunty Nora,
sitting there in her frock
of brazen red.
‘I’d rather go to an early tomb
than let them curse
my blessed womb.’
SIOBHÁN MAC MAHON
Churching was a religious ceremony, performed by the Catholic Church, on women, following their giving birth – a sort of cleansing.
The only body I have
I’ve:
Loved with it.
Told lies with it.
Ate too many mince pies with it.
Dressed it in some questionable clothes over the years.
Poisoned it with drugs.
Filled it balloon like with fears.
Cut it. Bitten it. Watched bits of it sag.
Walked it. Scolded it. Taught it how to nag.
Spent hours looking in the mirror criticising.
Different parts of it every year despising.
Yoga’d it. Toga’d it.
Made it run when it wanted its bed.
Put it through aerobics until every part was red.
Broken little bits of it on several occasions.
Blamed the flabby bits of it for struggling relations.
Called it too short.
Let it be bought.
Sold it down the river.
Taken vodka to extremes without warning my liver.
Dyed its hair. Painted its eyes.
Tried every product possible in efforts to disguise.
Dehydrated it. Berated it.
Burnt it in the sun.
Sat on it. Picked it.
Prayed I’d get a better one.
Tired it. Squashed it.
Failed to de-freckle with lemon bleach.
Scratched it. Starved it,
to be weights always just out of reach.
Bitched about it in its company.
Hated it with all my heart.
But now that it don’t work no more
I wish I could go back to the start.
ELOISE WILLIAMS
Chocolate
She crams it down her throat
like a murderess,
alone at last,
alternately kissing and throttling.
SELIMA HILL
Does My Bum Look Big in This?
Women, beware, for the war is not won;
We’re out of our kitchens, no longer Anon,
We run countries and councils, households and firms,
Budgets and hedge funds, all on our own terms.
We broadcast, direct, write, publish, teach
And yet liberation remains out of reach;
For still the enlightened glitterati will hiss
‘Can you tell me, does my bum look big in this?’
Celebrity culture is not helping our cause,
With beauty defined by the size of our drawers.
Breasts like bazookas, teeth bleached to fluorescence,
We’re expected to stay in endless adolescence.
No
wonder our faces look shocked and aghast,
Our looks are what matter and our bottoms are vast.
I’ll bet the day of the wedding, Pippa asked her big sis
‘Be honest, does my bum look big in this?’
So ladies watch out, if you value your lives,
You’re right to be more than just mothers and wives.
If you’re fifty and flabby and dress like a slob,
Book in with your surgeon or risk losing your job.
Your degree, your gold medal are not worth a jot
When the circle of shame zooms in on that bot.
When you look in the mirror, remember Ignorance is bliss
And don’t ask ‘Does my bum look big in this?’
PATRICIA ACE
Invitation
1
If my fat
was too much for me
I would have told you
I would have lost a stone
or two
I would have gone jogging
even when it was fogging
I would have weighed in
sitting the bathroom scale
with my tail tucked in
I would have dieted
more care than a diabetic
But as it is
I’m feeling fine